Helpful Advice from Indie Authors

I saw an article today on Twitter that I thought I’d share with you.

If you’re in the process of publishing your book, like I am, or have published your book but could use some helpful tips on marketing and self-publishing, check out the link below.

What do you wish you had known when you first started self-publishing?

If you’re already a self-published author, what do you wish you had known when you first started self-publishing?

Helpful Advice from Indie Authors

I saw an article today on Twitter that I thought I’d share with you.

If you’re in the process of publishing your book, like I am, or have published your book but could use some helpful tips on marketing and self-publishing, check out the link below.

What do you wish you had known when you first started self-publishing?

If you’re already a self-published author, what do you wish you had known when you first started self-publishing?

Why We Need Beta Readers and Editors

I recently mentioned to a friend that I was self-publishing my first book this November as an e-book, as well as a printed book. I told him that after I edit on my own, I will be passing my manuscript to beta readers, possibly a proofreader and after that, edit it again and then it goes to an editor.

To which he replied: “The editing process is never ending anyway. With the technology now with e-books, why don’t you just eliminate the beta readers and editors and publish your book now and get the readers out there to give their feedback and then revise your book again based on the feedback you get, and then publish it again.

My head spun a little.  So I said, “What do you mean? Revise my book again, even after I’ve already published it?” A bit confused, I added, “Why would I want to do that?”

He said, “Yes, keep revising the same book and publishing it over and over based on the feedback you get from readers.”

I asked, “The same book?”

“Yes, the same book. The one you have now,” he confirmed.

My head spun again. “You mean, just print what I have now and let the readers read and judge it without having beta readers read it first?”

He said, “Yes.”

I said, “But once my book is published—that’s it. I’d like to be done with it so I can move on and start writing other stories. Why would I want to keep revising the same book and publishing it over and over again?”

Completely nonplussed, I asked my friend what the advantages are of doing it the way he’s suggesting. To be honest, I don’t even remember what he said because it probably didn’t make sense to me.

For me, it almost sounds like he’s saying:
“Why don’t you rush and publish your book now, even if you’re not satisfied with it and it hasn’t been read by others who can help you polish it. Who cares? You’ll get feedback from readers outside anyway. You can use the feedback to keep revising and keep publishing THE SAME book, over and over again.

To me, it also sounds like: Why don’t you just put a product out there that hasn’t been tested? Who cares if it doesn’t work? You can keep revising the product anyway?

But wouldn’t I be setting myself up for failure by doing it that way?

First of all, why would I risk my reputation as a first time author and publish a book that’s not polished? Just to get it out there because I can keep revising it anyway? It doesn’t make sense. Also, what happens to the printed pieces?

After researching, reading articles and posts from other writers over the last 6 months on self-publishing and e-books, and seeing the results of self-published authors, my friend’s comment didn’t make any sense to me. I can think of a hundred reasons why I do not think his idea is a good idea. For one, beta readers are there to help you. They will read your book and critique it and give you helpful feedback. If I rushed and published my book now and eliminated the beta readers and editors, I would probably get feedback, but none of which would tell me if I made a typo on page 40 and 180, or that I should rewrite a sentence or a paragraph because something is missing, etcetera. Regular readers won’t give the same feedback. They will give general feedback, but won’t go into specifics like beta readers and editors do.

There are many reasons why a lot of e-books fail and why some succeed. I’ve read a number of posts from self-published writers who all give the same advice:

  1. First, write a good book.
  2. Get people you trust who aren’t family to read it and give you honest feedback (example: beta readers) before you publish.
  3. Hire an editor.
  4. Create a great book cover.
  5. Have a marketing plan.
  6. Know your target audience.

I’m sure my friend meant well. Maybe all he was trying to say was take advantage of technology. But even then, some of the things he suggested didn’t make sense.

At the end of the day, I am still sticking to my plan. My manuscript will still be going to beta readers. I personally believe that having them read it and critique it will help me polish my book before it gets published.

Here are links to some posts that I’ve recently read on self-publishing and why beta readers are important:

http://crimefictioncollective.blogspot.ca/2012/08/three-mistakes-you-dont-want-to-make.html

http://jennymherrera.wordpress.com/2012/05/01/four-reasons-why-you-need-beta-readers/

http://saraflower.wordpress.com/2012/07/13/beta-readers/

What do think? Eliminate beta readers? Rush and publish and keep revising and publishing the same book over and over again?

An Interview with Author, Stephen Clarke

I am pleased to announce that today’s post will feature my interview with the witty and funny author, Stephen Clarke. If you’re not yet familiar with Stephen and his books, this is the time to get to know him. I promise you that by the end of this interview, you will probably find yourself reading his website and purchasing his books.

I met Stephen briefly at the Paris Writers Workshop I attended last month. He spoke during the lecture on Literary Trends: Self-publishing and E-books. The panel consisted of a few self-published authors who shared their stories of how they got published. Each story was unique and eye-opening. Stephen’s in particular, amused me, made me laugh, and of course—inspired me.

What’s so inspiring about Stephen’s story was how he used his determination, his creativity and his sense of humor to reach his goals. He went from being self-published to selling his books to a publisher. It goes to show that as long as you keep going, keep believing and keep writing—you too, can get there.

Ladies and gentlemen, here is my interview with author, Stephen Clarke.

During the Paris Writers Workshop, you mentioned how you initially self-published and sold your books in a trolley around town. Tell us a little bit more about that experience.
SC: It was very liberating. I was told by several professionals in the book trade that my novel, A Year in the Merde wasn’t worth publishing. So I did it myself, the old way, that is, by finding a printer, a cover designer, and getting the software to lay out the pages. I was then free to do whatever I wanted, so I had fun with the blurbs, doing collages for the cover, adding fake endorsements, even the copyright disclaimer had jokes in it. I got 200 copies printed up, but I decided not to let anyone know I was self-publishing, so I invented a fake publisher called Red Garage Books and claimed that “we” (it was never clear who “we” were) had discovered this great unknown called Paul West, who’d written the all-true exposé of life in a big French company and couldn’t reveal his identity for fear of being fired or assaulted. I then started trying to sell the books door to door in English-language bookshops, and sold almost no copies at all until I got a mention in a freebie newspaper, after which suddenly I was getting 100 orders a day. I then sold the rights to a “real” publisher, who clearly thought the book was worth publishing after all. That’s a very brief resumé. What I remember most is six months or so of solid work (that’s after the novel was finished), a lot of panic, several troughs of despair, and a hell of a lot of fun.

With the recent success of e-books, should writers still consider traditional publishing first?
SC: It’s entirely up to the writer. Obviously e-books are a lot less difficult to publish and ship, but you miss out on being able to hawk them to bookshops, so I don’t know. If you want an instant world market and know how to use the social networks, I’d say go for e-books. In any case, Americans seem to have forgotten how to turn the pages of actual paper novels, and the rest of us won’t be far behind because we always end up following the American lead in technology. I’m sure my iphone will soon have a real-book detector fitted, and if it smells paper pages nearby it will refuse to turn itself on.

What advice can you give writers who have been rejected by Literary Agents?
SC: Either find another one, or don’t – it’s a very personal relationship, a bit like finding a sexual partner. Someone might think you’re cute but hate your smell. The same goes for agents, except your idea is the cuteness and your style the smell. Just because one or more says no, it doesn’t mean they all will. On the other hand, there are those who prefer to do without…

What advice can you give writers who have self-published but are struggling with book sales?
SC: Look for niche markets. If your book is about French blue cheese, make sure you’ve sent emails to every magazine, website, club and trade union dealing with France, cheese and blue things. You have to plug yourself non-stop. I still do this. Any time there is any friction at all between France and the Anglos, I will tweet about it, and any journalists interested in my opinion on the subject will get an interview. You have to be a blatant self-publicist, even if you’re doing OK.

What do you think makes a good story?
SC: Absolutely anything that grabs readers’ attention. The same story told by two different people will be as different as Shakespeare and Barbara Cartland. You have to make sure that your version is gripping.

What do you think makes a good writer?
SC: The ability to finish writing their book. And the voice. You have to find your own voice, your very own, personal way of narrating.

What book(s) are you currently reading?
SC: I am re-reading an excellent comedy novel called The Fall and Rise of Reginald Perrin, by David Nobbs, and have just finished Robert Harris’s latest, The Fear Index. Though I prefer his historical stuff.

What is your favorite thing about being a writer?
SC: Giving readings and seeing people laugh.

Thank you Stephen for letting me interview you. It was a lot of fun.

Stephen’s book, 1,000 Years of Annoying the French is #1 at the Amazon.co.uk’s French History chart.

To purchase Stephen’s books, please visit his website or go to Amazon.com.

Look for Stephen on Twitter: sclarkewriter

Writing tip #7: Know Your Target Audience

You’ve written a book and you’re ready to get it published. Question is, do you know your target audience?

If you say it’s “everyone”, you may have a problem. Everyone is too broad and everyone is not what agents and publishers want to hear.

To get a better idea of your audience, start by thinking of your genre. Knowing your genre can help identify your audience.

For instance, let’s say you’ve written a love story and it falls under Women’s Fiction. Now you know a little more about who your readers are: women. But let’s get even more specific.

Try asking yourself the following questions (modify these questions based on your genre):
What’s the age group of these women?
Are they single, married or divorced?
Are they mothers?
Are they career women?
What sorts of books do they read? Who are the authors?

Once you’ve answered these questions, you’ll know exactly who your target audience is. This will help you pitch your story to the right agents. And if you’re self-publishing, this will help you in marketing your book.

 

An Interview with Lori L. Otto, Author of the Emi Lost and Found Series

Recently, e-books and self-publishing have been hot topics on my blog that I felt the need to interview another self-published author. I came across some rave reviews on the Emi Lost and Found series on twitter and knew immediately that Lori L. Otto was exactly who I wanted to interview.

If you’ve contemplated on self-publishing or have questions on e-books and what it means to be an independent author, or you simply want to learn about the talented author of the Emi Lost and Found series, then this interview is for you.

Meet Lori L. Otto:

What inspired you to write the EMI LOST & FOUND series?
After reading a very popular young adult series, and its subsequent not-so-young-adult fan fiction, I realized there was a need for an epic, romantic series for adults.  I first didn’t really know what the story was going to be.  Instead, the three main characters revealed themselves to me.  After I had a clear understanding of who they were, the story began to unfold.

Did you always know you were writing a series, or did the idea happen in the midst of writing your first novel?
No, this was intended to be one novel.  When I outlined everything, it was all meant to be contained in one book, written in the same way it’s published now.  I wanted the three different narrators telling their stories, so when each of their story lines grew to more than 100,000 words each, I knew I had to break it up.  Fortunately, with the way I’d decided to use three narrators, that lent itself well to breaking it up into three separate novels.  That’s why there’s an intro by Emi in the first book and an epilogue by her in the last book.  

Who edits your books? Did you hire an editor?
I have a “team” of well-educated friends who love to read, and I consider myself lucky.  This means that about 10 people get to read the books before they’re published, and it’s amazing how each friend sees different mistakes.  I don’t hire them to do it– they do it voluntarily because they get to read the books before anyone else.  I also read and re-read the Emi Lost & Found series about twenty times on my own, and still found a few errors right up to the publication date.  I will say, I’ve received reviews from multiple people who compliment my editor because there are so few mistakes.  I do pride myself on this, and strive to have them be as error-free as possible.

Did you ever consider traditional publishing or did you always know you wanted to self-publish? How did you decide?
I queried agents for about nine months before I decided to self-publish.  I received quite a few rejection letters, many of them because of the length of the novels.  That seemed to be a big hang-up for a lot of agents, and in traditional publishing, I understand that can be a problem, putting forth so much money on a long book by an unknown author.  I totally see where they’re coming from.  But times are changing, and I believed in the books so much that I wasn’t willing to cut them down, and really felt like they would be successful in their entirety in e-book form.  This is what eventually made me decide to self-publish.  Even with their lengths (125,000 words for Lost and Found; 129,000 words for Time Stands Still; and 126,000 for Never Look Back), readers have devoured the series in a couple of days and begged for more.

Describe your experience with self-publishing. How long did the whole process take? Did you hire people to help you?
I thought the actual process of self-publishing was easy, and it didn’t take too long.  I first self-published paperbacks, using CreateSpace, because I wanted to have a physical book for myself and many of my friends, and also because I understood the process better.  When people would talk about formatting for ePub and things like that, I was a little frightened, but once I started reading the requirements of sites like Smashwords, Kindle Digital Publishing and PubIt, it actually was very easy.  They all accept files formatted in Word, so what was good for one site was fine for another with just a few modifications of the title page.  I published first on Smashwords, and did a lot of trial and error adjusting for about three weeks.  Mainly it was from viewing the book on my Kindle and seeing mistakes I hadn’t seen before.  (Many of my test readers had Smashwords copies to work with.)  I didn’t hire anyone to help at first, but the biggest lesson I’ve learned in this process is that people do judge books by their covers– and my original covers say nothing about the story.  Just recently, I’ve hired an illustrator to redesign the covers for me.  The first is complete, and the second and third should be done by late April.  I know that I could have this done cheaper than what I pay, but I think her work is worth it.

What are the advantages and disadvantages of self-publishing?
Advantages: The author is in total control.
Disadvantage: The author is in total control.  
Self-publishing truly is a free-for-all at this point, with no standards to uphold.  I’m happy that I got to make all the decisions on what could be included, or what needed to be edited out.  But anyone who self-publishes will also be forced to face all of the bad work that’s been rushed to publication just for money.  The bulk of these are short stories (that aren’t necessarily marketed as such, but are often between 1000 – 5000 words) that are erotic in nature…and I’m using that “erotic” term rather liberally.  I’m not a prude by any means– there is a healthy amount of tasteful sex in all of my current books– but the things I’ve seen are shocking to me.  I imagine they make a lot of money, though, so it just encourages more and more of these stories to be slapped together and uploaded.  Sometimes, I think self-publishing is too easy.

Would you recommend self-publishing?
I would recommend it, and have to multiple other authors I know, provided they have proper expectations of what will happen and how much they need to be involved to generate sales.  When I published, the story about Amanda Hocking had been floating around the Internet, and I’ll be honest, I had very unrealistic expectations.  I didn’t think I’d become a millionaire overnight, but I thought I’d make more money than I have and didn’t think I’d have to work so hard to sell my books.  Marketing is the hardest thing about self-publishing.  I’m a good writer, but even though I worked in marketing for ten years, I still fail on a daily basis in this arena.  I’m pretty introverted, and that seems to work against me.

Would you consider traditional publishing if a Literary Agent approached you now?
Of course I would!  I’d be a fool not to.  I’m working on two other series now and am considering trying to get an agent for at least one of them.  Again, I believe that my books are good and that women who read them will be drawn to the characters, but my biggest problem is finding readers.  If an agent could help me with that, I might be willing to make a few concessions.

What makes someone an Independent Author?
I guess my definition is someone who writes and/or publishes without the backing of an agent or publishing house– a writer who is left to handle every aspect of writing, editing and promoting the book on their own or by using their own resources (time, money, etc.).

How do you market your books? What has been the most effective?
Not well.  😉  I have a Twitter account that I use, setting up different campaigns and scheduling tweets in bulk on a daily basis.  As you can imagine, this is tedious and a little exhausting, and I’m not sure how effective it actually is.  I know when I don’t tweet at all, I get very few hits to my blog, book sales pages, etc.  When I do tweet, even though I don’t have a lot of sales to show for it, the page counters tell me that the word is getting out there.  It’s just very hit-or-miss, and I haven’t found a way to target my specific market yet using Twitter.  I also do have a Facebook page, and quite a few people who’ve read my books have found me there on their own.  I only recently started using this as a tool to try to sell more books, because I figured most of the people who “like” my page have read the series already.  But, again, it’s a good way to keep the word out there and to keep the books top-of-mind.  If someone needs a gift for their wife, friend, whoever, they may decide that my series is a good gift after seeing a reminder post on the Facebook page.  I’ve used email marketing, which was helpful at first, but most of my list was made up of people I knew, so after they purchased the books, the emails just seemed to be redundant, reaching the same audience, and I was worried of becoming “spam.”  I’ve done a few book giveaways on goodreads.com, and while many people sign up to win– and many put the book on their “to read” list– this hasn’t seemed to really generate sales for me, either.  I’m a member of a few different Independent Authors groups online, and the members are very good in helping to spread the word about other Indie author’s books on Twitter and Facebook.  The Indie Author community is vast and very supportive of one another.

What are blog tours and do you participate?
I’ve never done a blog tour.  I know I should, and I know it would help, but I just haven’t taken the time to research what is involved.  

Is your book series only available electronically or do you also have printed copies?
It’s available in both formats.  The paperbacks can be purchased on Amazon.com or barnesandnoble.com.  E-books are available for the Kindle, Nook, iPad, iPhone, Sony eReader, Kobo, Android eReaders and PDFs for the computer.

If you could do it all over again, would you still pick self-publishing?
Yes, I would.  I wanted my story to be out in the world.  Even if I don’t have a million readers, the ones who have contacted me from South Africa, Ireland, Australia, India, and everywhere else in this vast world make this whole process worthwhile to me.  

What advice can you give writers who are having trouble deciding between traditional publishing and self-publishing?
I’ve encouraged writers to try the traditional publishing route first.  I do think that they have ways to promote the book that most Indie authors are lacking, and marketing plays such a huge part in the success of books and requires so much time and energy.  If they don’t find an agent after six to twelve months– and if they just want to share their story with other readers– then I’d suggest self-publishing.  The fact that I don’t have an agent is not a failure on my part, in my opinion.  It just means that my books didn’t fit into a traditional mold or category that the agents were willing to work with.  (On a side note, I think my books fall between genres, and if I had understood what this would mean for my book in the long run, I might have done something differently.)

What makes you unique as a writer? Describe your writing style.
I’m a very emotive writer, and I like developing characters.  I write stories that people can relate to and get involved in.  The worlds described in my books create a nice escape, and I think the situations are able to generate real emotions.  In fact, quite a few readers have told me they had to take breaks from my second book, Time Stands Still, because they couldn’t see the words through their tears.  Many reviewers have said that they feel like Nate, Emi and Jack are their friends.  That’s a huge compliment to me.

Who is your favorite author?
I love Vladimir Nabokov’s writing style.  I think Lolita is a fascinating story and a beautiful piece of art.

What is your favorite book? What are you reading now?
Again, I love Lolita for its prose.  Nothing compares to it, in my mind.  I love most well-written books with a love story, but I don’t read romance novels.  Right now, I’m re-reading the Hunger Games so I can be ready for the movie.  I thought Suzanne Collins wrote a thought-provoking series about what society could become– and it also gave me a sweet love story to follow.

Define a good book.
A good book provides an escape for the reader.  It can transport them through time and space, taking them to places they’ve never been and may never see.  It captures their imagination and leaves them thinking about the characters long after they’ve read the last page.  It’s something that keeps them up late at night reading.  It’s something they don’t want to put down, and something they want to pick up again to re-read later on down the line.

Define a good writer.
For my genre, which I consider to be women’s fiction, a good writer is someone who can get in the head of a certain character, and describe the world through that person… and then be able to do that with many other supporting characters as well.  She’s someone who knows the background of everyone involved so that they can accurately predict motives and reactions to make the story as real as possible.  She’s able to accurately communicate situations to let the reader develop their own feelings and emotions.

If you could describe your book series in one sentence, what would it be?
Having given up on her ideal love, Emi Hennigan suffers a great loss after taking a chance with her best friend– only to discover that what she’s always been looking for is still out there.

Are you working on your next book? Will it be part of another book series?
I’m working on five other books right now: three in one series, and two in another (which will eventually have a third book).  For those of you who have read Emi Lost & Found, the second series (chronologically) revolves around Jack’s brother, Steven.  The third series (which takes place thirteen years after Never Look Back) is about Livvy.  The other series are spin-offs of the original, where other characters take center stage.

And finally, what tips can you give writers who are considering self-publishing?
Don’t get frustrated and don’t give up.  (These are tips I have to remind myself of sometimes, too.)  Keep trying new things, and network with other authors.  Make sure your book is as polished as it can be.  Present it as if an agent just might pick it up one day and read it cover to cover.  It needs to be the best it can be.

Thank you Lori for giving me the opportunity to interview you. It was a blast!

For more information on Lori L. Otto and her Emi Lost and Found series, visit her blog at: http://authorlorilotto.wordpress.com/

Where to buy her books: http://authorlorilotto.wordpress.com/where-to-buy/

Check out more interviews.

Why We Don’t Give Up

So you’ve sent out dozens of query letters, sent out partials, received rejection letters, attended writers conferences, and still—no representation. Do you stop trying? 

I met a writer at a conference last year that told me he’s been attending the same conference for years, trying to sell his book idea to agents and editors and have not succeeded. It’s not an easy task and yet he still keeps trying.

There are many possible reasons as to why he hasn’t gotten signed. He could have an excellent story, but his query letter is poor. Or have a great story, but not a sellable one. Or have a great plot, but it’s not well written, or not edited, or he’s been pitching to the wrong agents and editors or his book is simply not ready, or we can go on speculating.

The truth is, we don’t know why he hasn’t gotten signed. But this goes for a lot of us who have patiently held on to our manuscripts for weeks, months, or even years, and have sent out queries and prayed for the perfect agent to give us that phone call that will change our lives forever and sign us and make us millionaires or best sellers, or whatever else we dream of being. In the end, we are writers who want to get published. We want our stories to make it, just like the rest of them.

But how long are we willing to wait…

Before we move on and decide that maybe the manuscript we have now is not meant to be our first book?
Before we move on and write our next story?
Before we say that maybe we don’t want to wait for a Literary Agent to dictate when we will be published authors.
Before we say that our story is good and that maybe self-publishing is the way to go.
Before we say that this is our dream, therefore it is up to us to make it real.
Before we give up.

But you see, we don’t give up. Our stories exist because we were called to write them. Something, somewhere gave us the idea and it was our job to write it down. And we did. There is a reason for that, and that’s why we are here still trying.

The thought of landing a Literary Agent can sometimes be frustrating and discouraging. The thought of self-publishing can be daunting and overwhelming, so what do we do? The reality is, we wrote a book. A book we believe in, and we want it published someday, somehow, somewhere.

And now, we must ask ourselves:
Do we want to be traditionally published or do we want to self-publish?
Do we want to control our destiny or wait for a star to fall?

I say we continue to research, network, educate ourselves, and know our options.

And while we wait to see our name in lights…we keep writing.

An Interview with Dina Silver, Author of One Pink Line

Here it is, as promised, my interview with a self-published author.

I discovered Dina’s book, One Pink Lineon Amazon.com and was very impressed with the rave reviews. I knew I had to interview her. Dina was kind enough to let me do just that.

See below.

When did you know you wanted to become a writer?
I’ve been working as a writer in the ad industry for about 15 years, and I’ve always wanted to write more than headlines and direct mail pieces. Before I wrote my first book, I started writing it as a screenplay, but decided to convert it to a novel somewhere along the way.

What inspired you to write One Pink Line?
One Pink Line is inspired by the story of a friend of mine. Once she told me about herself and her family, I was so touched by what a wonderful and touching young life she had lived, that I immediately asked her if I could write about it.

If you were to tell us about your book in one sentence, what would it be?
A great love story.

How long did it take you to write your novel?
About three months to write, and about seven months to edit.

Who read your book before it got published? Are you part of a Writer’s Group?
I am not part of a writer’s group. I hired a local editor, and had a few friends and family members read the manuscript. Some read it more than once.

Is your book only available electronically or do you also have printed copies?
Printed copies are available through Amazon.

How do you market your book?
Honestly, I spend hours every day trying to market my book. I’m always trying to reach out to book bloggers, reviewers, and other self-published authors like myself. I have found that the “indie” book community is extremely supportive! There are so many writers like myself who have come together to help other writers gain a presence and get the word out on each other’s books.

Did you ever consider getting a Literary Agent or did you always know you wanted to self-publish? How did you decide?
I actually had an agent, and was under contract with her for a year. She was shopping around my first book, Kat Fight, and was unable to find a publisher for it. During that year, I discovered self-publishing, and did a ton of research on it that lead me to believe it was the perfect path for me. So I chose not to renew my contract with my agent, and have been absolutely thrilled with my choice. I will say that I am a complete control freak, and you almost have to be to self-publish successfully, because you do everything yourself. However, I did publish through Createspace (who I HIGHLY recommend) and they will do a bunch of the upfront work for you. But once it’s out there, you need to really work to get your book noticed…and it will be so rewarding when you do.

Describe your experience with self-publishing. How long did the whole process take?
Partnering with Createspace took about three months. But I went through them because I wanted to have paperback copies available too. If you’re strictly going the eBook route, it will take much less time.

What are the advantages and disadvantages of being self-published?
The biggest advantage, as far as I’m concerned, is that you maintain the rights to your work. The other big advantage is that you can make more money per book, and you can have your book published in record time. Most traditional houses take 18 months to get your book out there.

Would you recommend self-publishing?
I would highly recommend it! However, make sure you have a perfectly edited manuscript, great cover art, and the ability to market yourself. Oh…and a good book!

Have you joined writing competitions?
I have entered One Pink Line in three competitions…results are all still pending. Cross your fingers for me!

What genre does your book belong to?
It falls under Contemporary Fiction & Women’s Fiction. 

What makes you unique as a writer? Describe your writing style.
I hope what makes me unique is my wit. I really try to write a great story with a thread of humor throughout.

Who is your favorite author, and why?
Hmm, I might have to say Jane Austen.

Define a good book.
One that I can’t put down. One that keeps me thinking about the characters as I’m trying to fall asleep.

Define a good writer.
Well, there are so many different types of writers, but I guess they all share a similar passion for storytelling. That’s what really comes through in the great ones.

What is your favorite book? What are you reading now?
Favorite book of all time is Pride & Prejudice. Right now I am reading Mockingjay (third book in the Hunger Games trilogy)

How has being a published author changed your life?
It’s been a gift. I truly believe this is what I was always meant to do.

How do you balance being a writer and a mom?
I have one beautiful boy who is in third grade, so I have lots of time to write when he’s at school.

What inspires you to write?
Great stories.

Are you working on your second book?
Yes! My second book, Kat Fight, will be out in June.

What tips can you give writers who are considering self-publishing?
Here are a few:

  • Edit, edit, edit!
  • If people you trust give you great criticism, take it
  • Hire someone to design an eye-catching, professional cover for your book
  • Get involved in social media
  • Get involved with the site Goodreads
  • Reach out to book bloggers
  • Once your book is out there being read, ask people to leave reviews for it on Amazon
  • Good luck!

Thanks Dina for giving me the opportunity to interview you. It was such a pleasure.

If you’d like to learn more about Dina Silver, visit her website.

One Pink Line is available on Amazon.com.

Thank you for stopping by and I hope my two interviews were helpful.

To Get a Literary Agent or to Self-Publish, That is the Question. Part 2.

Do you get a Literary Agent or do you self-publish?

A few weeks ago, I mentioned that in order to answer this question, I would interview two authors—one with an agent and one who is self-published.

I had the pleasure of interviewing Samantha Sotto, author of Before Ever After. She shared her story on how she got published with the help of a Literary Agent.

As promised, I said I would also interview a self-published author. I am happy to announce that the self-published author I picked and who agreed to an interview with me, is Dina Silver, author of One Pink Line.

Check back soon to read our interview.